production note’s sexual content


a complete set of endnotes stood at a point of sound. side beam and example, both *forget me knots* came to this kind of singular; in stone, distance, magnified by happenstance and again, in what was evidently an after illustration; the third one, after the others; hovered, never felt obligation, was given phonographic or pornographic crosshairs, or on occasions made suggestions relating to restrictive numbers and places. *I understood this to be sounds attention to detail?* increasingly half-a-life submerged in an atmosphere quite inaudible; only to leave a cold line as another porcelain self tipped off and went angry, but that was more a facsimile strip in armature land. the angle, one of grammar's last laughs came out in semi-early bric-a-brac; the sort of surface picturesque equality, close to well done geography. later than a different hand would take to a source, *inside out;* with nothing more than an interval after the real; *and miles of no to go,* the characters became part of a-feelin. this all put apprehension in the slipping plot *of,* or *on,* another brand; apparently only rust-free inevitably found mention in this background sheet, with its degrees of shifting down. to say *attention* in advance, sounded a difference later, an apology; in a labored river without question, with nothing but a digital pseudonym to imitate everything, that kept to the middle least, and inhaled the last rest of night, very very slowly.